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© 2004; Dani Tull
www.danitull.com
site by : Jenny Lin
These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 2.5 License.
| Born: | San Bernardino, California, 1966 | ||
| Education: | Stanford University, MFA, 1990 San Francisco Art Institute, BFA, 1988 |
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SELECTED ONE-PERSON EXHIBITIONS |
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| 2009 | "Gawdhead and the Cave Mind", Las Cienegas Project, Los Angeles, Ca | ||
| 2008 | "The Origin of Conciousness in the Breakdown of the Mind, Part 2", Galerie Haus Schneider Uschi Kolb, Karlsruhe, Germany | ||
| 2007 | "The Origin of Conciousness in the Breakdown of the Mind", Galerie Haus Schneider Uschi Kolb, Karlsruhe, Germany (featured artist Scope Hamptons) | ||
| 2006 | "Mersh and Myth", Angstrom Gallery, Los Angeles, CA "Odd Arc", 4F Gallery, Los Angeles, CA |
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| 2000 | "New Work", Galerie Haus Schneider, Karlsruhe, Germany “Color is a Popsong”, Acuna-Hansen Gallery, Chinatown / Los Angeles, CA |
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| 1997 | "The Master Plan, Southern California", Galerie Haus Schnider, Karlsruhe, Germany "Rejected Written Material (Tilted Arc)", Special K Exhibitions, Los Angeles, CA |
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| 1996 | "The Master Plan, So. Cal.", Jessica Fredericks Fine Art, New York, NY "Rejected Written Material (Tilted Arc)", Gallery 16, San Francisco, CA |
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| 1995 | "Der Pumper Kinder: Noble Craft Work," Blum & Poe, Santa Monica, CA | ||
| 1994 | "Der Pumper Kinder," Wewerka Galerie, Berlin, Germany “Neverland”, Torch Gallery, Amsterdam, Netherlands Claremont Graduate School, Claremont, CA |
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| 1993 | “Eden”, Kim Light Gallery, Los Angeles, CA Jack Hanley Gallery, San Francisco, CA Rio Hondo College Gallery, Whittier, CA |
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| 1991 | Parker / Zanic Gallery, Los Angeles, CA | ||
| 1989 | Show 'N Tell Gallery, San Francisco, CA | ||
| 1987 | Diego Rivera Gallery, San Francisco, CA | ||
SELECTED GROUP EXHIBITIONS |
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| 2009 | "Instruments", SolwayJones, Los Angeles, CA | ||
| "NO LONGER EMPTY", curated by Michael Bevilacqua, Hotel Chelsea, New York, NY | |||
| " Cosmos Factory", Cirrus Gallery, curated by Brad Eberhard, Los Angeles, CA | |||
| 2008 | "Some Paintings", The 2007 LA Weekly Annual Biennial curated by Doug Harvey Track 16 Gallery, Santa Monica, CA | ||
| 2007 |
"Kim Light Gallery- The early 90s", Lightbox, Los Angeles, Ca "Kim Light/Lightbox, Los Angeles, CA |
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| "Nothing Moments,"Steve Turner Gallery, Los Angeles, Ca | 2006 | "Chain Letter" High Energy Constructs, Los Angeles, CA | |
| "The Wonder and Horror of the Human Head", Organized by Meg Cranston, 4-F Gallery, Los Angeles CA | |||
| ""many, many guys and girls, all real beauties."", Curated by Julian Hoeber Circus of Books, Los Angeles CA | |||
| "Boat Show", curated by Brad Eberhard and Raffi Kalenderian, HIGH ENERGY CONSTRUCTS, LA CA |
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| 2005 | "Very Early Pictures", curated by Richard Torchia, Luckman Gallery, Cal State LA CA Very Early Pictures, Arcadia University Art Gallery, Pennsylvania |
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| 2003 | Collaborative Lithographs with Raymond Pettibon, Hamilton Press Gallery, Venice CA | ||
| 2002 | “Necessary Fictions”, De Chiara Gallery, New York, NY “Line Up” Lord Mori Gallery (aka The Happy Lion), Los Angeles, CA |
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| 2001 | “Sketchy”, Acuna-Hansen Gallery, Chinatown/Los Angeles, CA | ||
| 2000 | “Keanabilia with Margaret Kean”, Laguna Art Museum, Laguna Beach CA “Under The Influence: New Art From L.A.”, Art Space, Kansas City Art Institute, Kansas City, Minneapolis “Nader Poster Design 2000” Monk Parakeet, Chicago, IL “ReCharge” L.A. Art in the Early 90’s/Gift of the Norton Collection, Laguna Art Museum, Laguna Beach, CA |
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| 1998 | “(re)Mediation: The Digital in Contemporary American Printmaking”, Contemporary Art Museum, Miami, FL "Juvenescence", Guggenheim Gallery, Chapman University, CA "works on/off paper, " ANP, Antwerp, Belgium Richard Telles Fine Art, Los Angeles, CA "reverb" Brewery Project organized by Art Center |
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| 1997 | 22nd International Biennial of Graphic Art Ljubljana, Slovegnia "Angelus Novus" Galerie Oz, Paris, France "Angelus Novus" Gracie Mansion Gallery, New York NY "The Bastards of Modernity" Angles Gallery, Santa Monica, CA “Muse-X Editions” at Shoshana Wayne Gallery, Los Angeles, CA "True Bliss", Los Angeles Contemporary Exhibitions, Los Angeles, CA |
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| 1996 | "The Gallery", 22 Year Anniversary and History of Wewerka Gallery, Berlin, Germany "Left of Center, New Art from Los Angeles," Ten in One Gallery, Chicago, IL "Strappy Sandals and Skinny Belts, The Hyper Feminine Position in Painting" (curated by Sue Spaid), Murray Feldman Gallery, Los Angeles, CA "Felicity," Jan Baum Gallery, Los Angeles, CA |
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| 1995 | "The Friendly Village" Milwaukee Institute of Art and Design Milwaukee, WI "Glimpse of the Norton Collection as Revealed by Kim Dingle", Santa Monica Museum of Art, Santa Monica, CA "Human/Nature," New Museum, New York, NY "The Moderns," Feature, New York, NY "Strappy Sandals and Skinny Belts, The Hyper Feminine Position in Painting" (curated by Sue Spaid), Victoria Room, San Francisco, CA |
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| 1994 |
“Animal Farm”, James Corcoran Gallery, Santa Monica, CA “Bad Girls”, curated by Marsha Tucker, New Museum, New York "Green," Torch Gallery, Amsterdam, Netherlands "Romance" curated by Irit Krygier, Art Center College of Design, Pasadena, CA "The Sacred and the Profane," Jan Baum Gallery, Los Angeles, CA |
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| 1993 | “Different Strokes”, curated by Maggi Owens, Guggenheim Gallery, Chapman University, Orange, CA “Ghostlimb” Basilico Fine Arts, New York, NY “Heaven Missing”, Young Art LA, Jose Freire Fine Art, New York N.Y. “kink” Mark Moore Gallery, Santa Monica, CA “Technocolor: The Future That Never Was”, curated by Bennett Roberts, Christopher Grimes Gallery, Santa Monica, CA “Cartoonal Knowledge”, Dooley Le Cappalaine, New York, NY |
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| 1992 | Anders Landsing, Richie Lee, Dani Tull, Michael Kohn Gallery, Los Angeles, CA "The Underthings," Bliss Gallery, Pasadena, CA “A Summer Drawing Show”, Richard Kuhlenschmidt Gallery, Santa Monica, CA "Group Show," Tri Gallery, Los Angeles, CA "Bank Space," Randall Scott/TBA Gallery, Los Angeles, CA "Revolution," The Works Gallery, Long Beach, CA "I Thought California Would Be Different," New Work in the Permanent Collection, Laguna Art Museum, Laguna, CA "Breaking the Code," The Works Gallery, Long Beach, CA |
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| 1991 | "Synthetic History," Parker/Zanic Gallery; curated by Bennett Roberts, Los Angeles, CA "Eight Abstract Variations," Jan Turner Gallery; curated by Robert Cavolina, Los Angeles, CA "L.A.C.E. Sixth Annual," Los Angeles Contemporary Exhibitions; curated by Randall Davis, Los Angeles, CA "Lollapalooza Festival," curated by Perry Farrell and Thomas Solomon, Los Angeles, CA "Les Fleurs," Parker/Zanic Gallery, Los Angeles, CA "Gods, Clowns and Devils," L.A.C.E., Los Angeles, CA "Fear," ATLA, Los Angeles, CA "The Store Show," Richard/Bennet Gallery, Los Angeles, CA "Group Show," Thomas Solomon's Garage, Los Angeles, CA "Ovarian Warriors vs. Knights of Crissum," Sue Spaid Fine Art and Parker/Zanic Gallery, Los Angeles, CA |
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| 1990 | "Introductions," Parker/Zanic Gallery, Los Angeles, CA "Graduate Exhibition," Stanford University Art Gallery, Menlo Park, CA |
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SELECTED BIBLIOGRAPHY |
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| 2006 | Harvey, Doug, "Tull Life- The not so lost decade", LA WEEKLY, April 26, 2006 Gray, Emma , "L.A. CONFIDENTIAL", artnet.com Harvey, Doug, "Premature Exhibitionism, Pictures from a Gone World", LA WEEKLY, June 9, 2005 | ||
| 2000 | Dubin, Zan, The Eyes of Margaret Keane, Los Angles Times Miles, Christopher,“It’s ChinaTown, Jake” Flaunt Magazine UNDER THE INFLUENCE - Young artists celebrate L.A.'s contrived culture, ALICE THORSON, The Kansas City StarDate: 10/21/00 |
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| 1997 | Kandel, Susan, "One Liner Parody", Los Angeles Times, April 4th Young, Paul, "Dani Tull at Special K", BUZZ Magazine, March 1997 Knezeveich, Steve, "Dani Tull at Special K" L.A. Weekly, April 10th, 1997 Turner, Grady, Dani Tull at Jessica Fredericks Gallery, Art in America, March Issue Kandel, Susan, "Modernist Montage", Los Angeles Times, February 7 Hainley, Bruce, "Bastards of Modernity", Art Forum, March Issue Feaster, Felicia, Dani Tull "the Master Plan: Southern California", ArtPapers, March Issue |
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| 1996 | Servetar, Stuart, Dani Tull, "The Master Plan: Southern California" Time Out New York, October 3-10 1996 Wilk, Deborah, "Left of Center" Ten In One Gallery, New Art Examiner, Lead Review pages 35-36 Camper, Fred, "Seeing is Deceiving", Chicago Reader, February 1996, p.13 Rugoff, Ralph, "Crate Expectations", LA Weekly, January 12 -18, 1996, p.39 |
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| 1995 | Baker, Kenneth, San Francisco Chronicle, December 21, 1995 Walker, Hamza, Scarborogh, James, Killam, Brad, Hixson, Kathryn, Grabner, Michelle, "The Friendly Village", Art Muscle, October/November 1995, p. 13-22 |
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| 1994 | Hess, Elizabeth, „And Everything Nice? The Village Voice, February 1, 1994, Vol. XXXIX, No. 5, p. 83 Galleries USA, Flash Art, Vol. XXVII, No. 174, January/February 1994, p. 55 Kandel, Susan, "Taking a Collective Look at 'The Sacred and the Profane'," Los Angeles Times, July 8, 1994, p. F26 Plaines, Peter, "Bad Girls for Goodness Sake" Newsweek, February 1994, p. 63 |
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| 1993 | Barrie, Lita "A Forest of Toys: The Post-Appropriation Object in Southern California", Visions, Winter 1993, p. 23 - 24 Braff, Phyllis, „All the World‚s a Stage, The New York Times, August 1, 1993 Brown, Betty Ann, „Different Strokes (Sex & Humor), catalogue essay, Guggenheim Gallery, Chapman University, 1993 Colpitt, Frances, „Dani Tull at Kim Light, Art in America, November 1993, p. 136 Creech, Steve, "Stepping Out" North County News, October p.28-29 Curtis, Cathy, „Full Frontal Assault on the Subject of Sex, Los Angeles Times, Orange County Edition, September 14, 1993, p. F1 - F2 Devine, Rory, Heaven Missing: Young Art L.A. Jose Freire Fine Art, Picturebook, November 1993, No. 4, p. 23 - 25 Knaff, Devorah, ""Warning Sign, Artweek, October 7, 1993, p. 13 Scarborough, James, "Bright Site Technocolor: The Future That Never Was at Christopher Grimes Gallery" Artweek, May 6, 1993, p. 24-25 Scarborough, James, "actualities a Los Angeles", ArtPress, July, 1993 Smith, Roberta, „Nine Visitors from California, New York Times, September 10, 1993, p. C26 Tumlir, Jan, „„Eden, Dani Tull at Kim Light Gallery, Picturebook, November 1993, No. 4, p. 12, 17, 18 Urban, Hope, Alluring Art on La Brea, Los Angeles Reader, June 25, 1993, p. 18 |
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| 1992 | Kandel, Susan, Los Angeles Times, June 27, 1992 | ||
| 1991 | Frank, Peter, L.A. Weekly, March 29, 1991 Schneider, Greg, Artweek, March 26, 1991 Snow, Shauna, Dani Tull, Profile Feature, Los Angeles Times, February 24, 1991 |
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| 1989 | Baker, Kenneth, San Francisco Chronicle, July 1989 | ||
SELECTED EDITIONS |
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| 2000 | Collaboration with Raymond Pettibon, Hamilton Press, Venice, CA | ||
| 1997 | 3 projects with Muse X, Los Angeles CA | ||
SELECTED PERFORMANCES AND RECORDINGS |
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| 2005 | Marnie Webers "The Spirit Girls", Luckman Arts Center- Cal Atate LA, (Performer and Guitar) | ||
| 2000 | Collaborative recording with Raymond Pettibon, full length CD Recordings with Marnie Weber, Jim Shaw, Thaddeus Strode, Sarah Seger, and Jamie Bair |
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| 1999 | POLARBEAR “why something instead of nothing” full length CD | ||
| 1995 | "Childcraft Superstar," Performance, Blum & Poe, Santa Monica, CA | ||
| 1994 | BoyGeorgeMichaelJacksonBrowne, "suck it to me!" "Oostende 94" CD, Big Truck Records |
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